A plugin company.
Not a portfolio.
Sixteen instruments under one roof — built on a single measurement core (DKP-Core™) and a single unified spectral control standard (REDSHIFT™). Every meter is BS.1770-4 compliant. Every synth runs the same Keplerian spring-return joystick mapping cosmological Doppler shift to pitch and color. Sole inventor. Patent Pending.
SPECTRE-PEAK
A precision measurement chassis for mastering engineers, broadcast, and audio QA. Real-time spectrum, 3-band VU, vectorscope, BS.1770-4 loudness, platform-target compliance, A/B reference. The translucent see-thru overlay floats above any player so you measure your master while it streams.
GUILLOTINE
A precision soft-clipper modeled as a back-pressure relief valve. Threshold is the Schwarzschild radius. Spring compliance is the soft-knee width. Hawking Zone slider, cosmic spectrum chamber, REDSHIFT color invariants. Built on the same DKP-Core kernel as SPECTRE-PEAK. Your limiter, in spaceflight.
PULSAR
A drum machine modeled as a neutron star — the universe's metronome, locked at neutron precision. Corps-style kit array (cymbals, tenors, snares, basses) plays a Cultural Patterns archive: FAMU Rattlers, second-line, soca, dancehall, drumline traditions across Black music heritage. Period · BPM · Repeat · Mix · Seq.
VECTOR ◈
A MIDI harmony engine where the circle of fifths becomes a planetary system. Chords are bodies in orbit. Genres are distant suns. Drag a chord planet onto the progression holder, hit play, and a Grand Piano (or any GM instrument) voices it in real time. Drop a MIDI file in the corner — VECTOR detects every chord automatically.
Color-mapped chord categories built into the engine: DIATONIC (native to the scale), SECONDARY DOMINANTS (V7 to each degree), BORROWED / MODAL MIX (parallel mode), TRITONE SUBS (jazz chromatic), CHROMATIC MEDIANTS (cinematic). Filter the catalog by genre, decade, or mood — 679,807 chords, 100,100 progressions indexed and instant.
Lumina.Aerospace · Audio Division · Cosmological Synthesis Branch
MAL_IGN
A granular synthesizer where the REDSHIFT joystick controls grain cloud pitch on a dedicated spectral tab. Preset bank rooted in Caribbean cultural physics — DUPPY, NINE NIGHT, ROLLING CALF, OBEAH, ANANSI, BARON SAMEDI — each preset described in terms of grain density, entropy, and decoherence. The first synth where the manual is a folklore primer.
PARALLAX
A spatial equalizer where six band orbs occupy a 3D depth field. The REDSHIFT joystick shifts every orb in z-depth proportional to the Doppler parameter. Warm bands bloom on redshift push; cool bands bloom on blueshift push. Persistent panel. Sister synth modulates oscillator pitch + Keplerian orbital speed of waveform nodes.
SINGULARITY
A black-hole synthesizer. The REDSHIFT joystick modulates event horizon radius and accretion-disc rotation speed. Sound design as orbital mechanics — what falls in stays in, what's emitted is gravitationally redshifted by the same physics that names the line of products it ships under.
MASS
A vocal synthesizer where the REDSHIFT joystick controls formant pitch and vocal-tract tension simultaneously. The first synth where Doppler physics maps cleanly onto the human voice — pitch up, push the tract; pitch down, slack the tract. Built on the same chromatic feedback contract as every other REDSHIFT instrument.
EKG·EQ
A master EQ where every band is named after the part of the human body it shapes — VENTRICULAR WALL · BODY CAVITY · FORMANT CHAMBER · CONDUCTION NODE · NERVE FIBER · SURFACE POTENTIAL. Wavelet analysis under the hood. Auratone Technology. Already shipping inside BandLab; the same engine ports to standalone, VST3, AU, and AAX.
Eight more in flight.
The Alien Series doesn't stop at the marquee. Each of these is a deliberate instrument with its own physics — fractal plasma, gravitational lensing, gold-scatter quantum cradle, pulsar timing, shimmer corona. Sole inventor. Patent Pending.
AFTERBURNER
A saturator modeled on jet-engine afterburner physics. Push the plate, the sound ignites. Re-heater for low-mid harmonics; thrust-vector for stereo placement.
ARRIVAL
A delay/reverb where echoes arrive on a curve — Doppler-shifted, gravitationally lensed, and decoded as if from a transmission across light-years.
ATTITUDE
A transient shaper modeled on spacecraft attitude-control jets. Yaw, pitch, roll — applied to the leading edge of every hit. Quaternion-stable.
CORONA
A shimmer chorus modeled on the sun's corona — extreme-temperature plasma haloing the source. Octave shimmer, plasma flicker, magnetic-loop modulation.
GOLD_SCATTER
Granular synth modeled on Rutherford gold-foil scattering. The sound is the alpha particle. The cradle is what scatters it. Higgs-style coherence at the tail.
LGM
Sister to PULSAR. A tempo-locked delay tuned to known pulsar periods (CP-1919, Crab, Vela). The "Little Green Men" signal — repurposed as rhythm.
PLASMA
A fractal synthesizer driven by φ and ψ fractional operators. AKWF-FREE wavetables loaded into a fourth-state-of-matter oscillator architecture. Reliquary build pipeline.
IMPERIAL SIX
A convolution instrument that captures the acoustic fingerprint of historic spaces and transmits it forward as cultural heritage. The room as artifact. The reverberation as a record.
ABACUS
A sequencer rooted in the abacus — every civilization's first computer. Suanpan, soroban, Mesopotamian, Roman, Caribbean. Material is cultural identity. Glass beads = modern.
One core. Every measurement.
DKP-Core is the deterministic measurement kernel underneath every Luminous instrument — audio, RF, geophysical, seismic. Cunningham Loop. Phalanx-validated. Mod-3 parity locked. The audio expression you read here is one face of an instrument family that goes much further.
REDSHIFT™ · RE_SIGN™ · DE_SIGN™ · USPTO PROVISIONAL · PATENT PENDING · T. A. CUNNINGHAM, SOLE INVENTOR
© 2026 LUMINOUS.WORKS LLC · APPLETON, WISCONSIN · ALL RIGHTS RESERVED